Short Bio
Versatile Ruth, Anita, June, and Bonnie Pointer regularly scored pop and soul hits throughout the '70s and '80s in a chameleonic variety of styles. Formed in Oakland, with their first successes for Blue Thumb Records blending funky rhythms with a novel nostalgic attitude (beginning with their 1973 revival of Allen Toussaint's "Yes We Can Can"), leading up to their first number one R&B item in 1975, "How Long (Betcha' Got a Chick on the Side)." Bonnie signed with Motown in 1978 and kicked off her own string of R&B hits with "Free Me From My Freedom/Tie Me to a Tree (Handcuff Me)." (June and Anita also tried the solo route during the '80s, without leaving the fold.)By 1979, when the remaining trio covered Bruce Springsteen's "Fire," the Pointers were headed in a more contemporary direction on the Planet label, and "He's So Shy" (1980...
Read Full BioFull Bio
Versatile Ruth, Anita, June, and Bonnie Pointer regularly scored pop and soul hits throughout the '70s and '80s in a chameleonic variety of styles. Formed in Oakland, with their first successes for Blue Thumb Records blending funky rhythms with a novel nostalgic attitude (beginning with their 1973 revival of Allen Toussaint's "Yes We Can Can"), leading up to their first number one R&B item in 1975, "How Long (Betcha' Got a Chick on the Side)." Bonnie signed with Motown in 1978 and kicked off her own string of R&B hits with "Free Me From My Freedom/Tie Me to a Tree (Handcuff Me)." (June and Anita also tried the solo route during the '80s, without leaving the fold.)By 1979, when the remaining trio covered Bruce Springsteen's "Fire," the Pointers were headed in a more contemporary direction on the Planet label, and "He's So Shy" (1980), "Slow Hand" (1981), "Automatic," and the anthemic "Jump (For My Love)" (the last two both 1984) were savvy ditties that blazed trails across the R&B and pop charts. However, the group's success declined during the late '80s, as their records began to sound more formulaic. The Pointer Sisters lost their major-label record contract in the early '90s, and the group began performing on oldies circuits occasionally. In 1995, the trio made a tentative return to the spotlight when they joined a revival performance of the Fats Waller musical Ain't Misbehavin', yet the accompanying soundtrack album failed to gain much attention. ~ Bill Dahl, All Music Guide
Read Short BioVideos
 |
'Christmas in New York' |  |
 |
 |
|
'I'm So Excited' | |
|
|
 |
|
|||
Audio
 |
'Christmas in New York' | |
|
|
|
'I'm So Excited' | |
|
|
 |
|
|||
SEND FEEDBACK